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Posts Tagged ‘Museums and Archives certificate’

contributed by Aubrey Baldwin, Phillip Fischio, Anthony Greenaway, Laura Loop, and Katelynn Olsen (students in the Museums & Archives Certificate Program).

Fire, arson, danger. Most people don’t associate these words with children; however the work of George A. Sakheim might suggest otherwise.

Card taken from Sakheim’s original collection, which states his research. Box M6591; Folder 1

 

George A. Sakheim, a clinical psychologist, did most of his research on the fire-setting behaviors of children during the 1970s to the early 2000s. Dr. Sakheim’s discoveries led to various published works on child arsonists. Overall, his work contributed to a greater understanding of a topic that previously was not well understood.

Most of the information was garnered through therapy sessions with minor fire-setter case studies.  Many of the children that Dr. Sakheim worked with suffered from mental illness, which may have contributed to their fire-setting behaviors. Part of his work involved assessing the level of risk exhibited by each child. He ranked each patient as minor, moderate, or severe. Dr. Sakheim performed many different tests to create these rankings. One such test was an exercise allowing the children to draw something associated to what they were discussing in therapy.

Example of a patient’s drawing. Box M6592; Folder 11

 

The various cases that Dr. Sakheim reviewed of child and adolescent fire-setters made him an expert on the subject. His expertise secured him a consulting position with the New York State Office of Developmental Disabilities and Mental Retardation. He also wrote several books and articles on the topic, helping the psychological community gain a better understanding of the phenomenon. 

Juvenile Firesetters in Residential Treatment by George A. Sakheim et al. Box M6609; Folder 2

 

Dr. Sakheim’s archival papers documenting this work are now available at the Cumming’s Center for the History of Psychology. The papers contain 20 letter size document cases and 1 record storage box, all relating to Dr. Sakheim’s work. All of the patient files are restricted, including cassette tapes of interviews with firesetters, but Dr. Sakheim’s research and written works are open for research.  View the finding aid for the George Sakheim papers for more details.

The processing of this archival collection fulfilled requirements for students enrolled in the course Foundations of Museums and Archives I.

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contributed by Allan Christopher, Amanda Leach, Sarah Riddle, M. Rose Stull (students in the Museums & Archives Certificate Program).

The Marianne Simmel papers consist of the primary research, patient files, correspondence and publications of psychologist Dr. Marianne Simmel, as well as her work/research with the performers Marcel Marceau and Charlie Chaplin.

Picture of Dr. Marianne Simmel in Paris, Early 1950’s. Located in Box M6613, Folder 11.

The primary focus of her research was the phantom limb phenomenon, and she also dabbled in cognitive neuropsychology. Her work with phantom limbs focused on adults and children with neurological defects. Amputations were a large focus, and she also did work with mastectomy patients. She explored animacy and the human instinct for storytelling, which led to an extensive collection following the work of Charlie Chaplin and Marcel Marceau.

Dr. Simmel, pictured second from left, conducting research at the University of Illinois. Located in Box M6613, Folder 11.

Dr. Simmel’s work with phantom limbs included various tests meant to induce/test sensation where the missing body part once was, such as experiments with heat and cold.

Sample of test sheets Dr. Simmel gave to her patients. Located in Box M6613, Folder 7.

She corresponded with Dr. Jean Piaget, a renowned child psychologist of the time. Much of this correspondence is  in French and, considering she was born in Germany, it is reasonable to assume she was trilingual.

Simmel also published several studies on the phantom limb phenomena, including the physical and psychological effects on patients of various circumstances and health conditions. One of the ways Simmel did this was by studying the human capacity for symbolic art form, particularly by working with performers Marcel Marceau and Charlie Chaplin. She would often go on tour with Marceau, giving lectures after his initial performance in order to make her point.

Playbill featuring Marcel Marceau. Located in Box M6630, Folder 3.

While going through her research files, we also found representations of the Homunculus, which shows the relative extent of symmetric motor and sensory representation in the cerebral cortex.

Blind Child (Fig. 1), An Example of Bad Art (Fig. II) and Homunculus (Fig. III).

To learn more about the contents of this collection, view the finding aid. You can view the collection in person at the Cummings Center for the History of Psychology, located in Akron, Ohio.

The processing of this archival collection fulfilled requirements for students enrolled in the course Foundations of Museums and Archives, I.

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– contributed by Kate Gray.

Kate describes the process of designing, researching, and installing an exhibition to fulfill course requirement for 1900:302 Foundations in Museums & Archives II. 

The concept of time has baffled the greatest minds in human history, while timekeeping devices originally left the students of Museums and Archives II equally bewildered. When beginning work on this exhibition, we were each given about seven or eight time pieces from the Cummings Center’s collections.

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The artifacts varied greatly in the background information already provided on them. Some of us had a manufacturer, date, and specific classification of the instrument. Others received pieces simply classified as “timers.” At times, this made research very difficult. However, all of us were up to the challenge.

We began by combing over the Cummings Center’s archives for any information on the pieces, manufacturers, or individuals who created them. Once we compiled that material, we then moved on to outside databases to supplement our findings. Our main goals were to track down what psychological experiments these time pieces were used in and who used them. When visiting the exhibit, you will learn about the time pieces themselves, the individuals who created them, and the psychologists who use them in their work.

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After discovering the desired information, we then moved on to planning how to display the time pieces and data. We debated artifact groupings, the objects’ placements, exhibit colors, and which display cases to use.

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As I write this blog, we are on the homestretch for this exhibit. We have already begun the to install the exhibition, finalize the displays, and have confirmed our color scheme. Through this experience, we learned about  the immense planning that goes into creating a museum exhibit. Everything from the font size to the display case choice impacts the success of the exhibition. This project led us on a challenging yet rewarding journey through time.

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Please Join Us for:

The Test of Time: Chronometry in 19th and 20th Century Psychological Laboratories

Opening reception:

  • May 10, 2018 from 2:30-4:30pm
  • Free admission for the opening event

After the opening reception, the exhibit will be open during regular hours of the National Museum of Psychology beginning June 28.  This temporary exhibit will be open June 28 through September 2018.

Location:

  • Gallery C / RDWY First Floor
  • Drs. Nicholas & Dorothy Cummings Center for the History of Psychology
  • The University of Akron
  •  Roadway Building
  • 73 S. College Street
  • Akron, OH 44325-4302

Contact: ihsc@uakron.edu; 330-972-7285

For More Information go to http://www.uakron.edu/chp/education/student-exhibit

Program info: This project fulfills the requirements for students in 1900:302, Foundations of Museums and Archives II at the Institute for Human Science and Culture.  Contact Dr. Jodi Kearns jkearns@uakron.edu for information about the Museums and Archives certificate program.

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Contributed by Justin Veda, Megan Oswald, Ryan Robinson, and Anthony Pankuch.

At the crossroads of confident and creative lies Bernard Saper. A man so bold he sent his writing to the likes of Oprah Winfrey and attempted to cast such A-list actors as Robin Williams in his potential movies. He would do all of this in the pursuit of understanding the effects of humor on the human mind. There are few others like him; he is truly one of a kind in the world of psychology. The Bernard Saper papers are now available to researchers.

Bernard Saper obituary (Box M6308, Folder 4)

 

Bernard Saper was born December 16, 1920 in Brooklyn, New York. He earned his bachelor’s degree in psychology from Brooklyn College in 1946. He received his master’s degree from Columbia University and a doctoral degree in clinical psychology from the University of California in 1952. Saper became director of psychological services at the New York State Department of Mental Hygiene in 1958, and in 1965 he was appointed director of the Bureau of Functional Programming, where he advised architects on the design of facilities. In 1967, he began work as a faculty member of the Albany Medical College, and two years later became professor of psychology and director of the Institute for Psychological Applications at the University of Maine. He would go on to become professor of psychology at Florida International University. He was a founding member of the South Florida School of Professional Psychology.

Two awards for outstanding contribution and appreciation dedicating Saper’s service and development of psychology. (Box M6308, Folder 1, 7)

There are many wonders and hidden gems to be discovered in the 11 boxes that contain the Bernard Saper papers. See notes and research compiled by Bernard Saper in his research surrounding the psychology of humor in the Research Files series. Look through the Academic Files series to see the very notes he used in teaching his lectures to the next generation of psychologists in his various teaching roles. And, read through original rough drafts of his book Conditional Triumph along with never-before-seen books and teleplays waiting to be read within the Written Works series. Please note some files are restricted.

Summary of unproduced teleplay of “Surrogate” by Bernard Saper (Box M6306, Folder 1)

The processing of this archival collection fulfilled requirements for students enrolled in the course Foundations of Museums and Archives I and was generously sponsored by the EX[L] Center at The University of Akron.

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Contributed by Jillian Phipps, Pennie Fordham, and Katherine Gray.

Have you ever wondered where the idea that positive actions should be rewarded came from? Have you ever wondered where the concept of bad behavior being its own punishment came from? If so, then check out the Sidney Bijou papers, which are now available for research at the CCHP.

Sidney Bijou (1908-2009) was a psychologist who specialized in child psychology, behaviorism, and studies on autism. Many of Bijou’s studies showed that encouraging good behavior led to more good behavior, more so than when bad behavior was punished. Bijou traveled all over the world to give symposiums on his research.

Sidney Bijou towards the start of his career, undated. From box M6303, Folder 6

 

Sidney Bijou later in his career, undated. From box M6303, Folder 6

 

Name badge from the Portage Conference in Hiroshima in 1998. From box M6292, Folder 9

Some of Bijou’s major works include Behavior Analysis of Child Development (1993) and Childhood Development: The Basic Stage of Early Childhood (1976).   He contributed to other works, such as New Directions in Behavior Development and Behavior Modification: Contributions to Education, both with Emilio Ribes-Inesta.

The Sidney Bijou papers include his academic works, from when he was in college as a student to when he was teaching as a professor; his research files for his written works; manuscripts of the written works themselves; reference files that show what he was working on year to year; and biographical information on his career that he compiled himself. His papers contain 13 boxes of archival materials. These files contain most of his work in child psychology, behaviorism, and autism research.

Of special note in Bijou’s files is his work on effective teaching and treatment methods for autistic children (1990-1998). In these files, Bijou has different curricula, class designs, and possible ways to assist autistic children in integrating into the public school system.

Example of the worksheets Bijou used to assess how well schools were integrating autistic children. From box M6293, Folder 7.

 

The processing of this archival collection fulfilled requirements for students enrolled in the course Foundations of Museums and Archives I and was generously sponsored by the EX[L] Center at the University of Akron.

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Contributed by Stacy Young, University of Akron student/CCHP Student Assistant.

CCHP: What led you to us?

SY: I previously attended the Museums and Archives class that is offered by the University of Akron and the Drs. Nicholas and Dorothy Cummings Center for the History of Psychology.

CCHP: What were you looking for and why?

SY: We were assigned to go through contentDM and browse through the artifacts. We were then to choose four artifacts that we liked the best. One of the objects that I chose was titled “Unidentified”, but it was part of the Walter Miles collection. I was hoping that within searching his collection I would come across documentation pertaining to the object.

CCHP: What did you find?

SY: Searching the collection I came across a diary that Walter Miles kept. Within this diary, there was a chapter that dated to the exact date that was located on the tag of my artifact.

Diary page from the Walter R. and Catharine Cox Miles papers, M1160, Folder 2.

Diary page from the Walter R. and Catharine Cox Miles papers, M1160, Folder 2.

 

CCHP: Were there any fun, interesting, or unexpected surprises?

SY: The diary gave interesting information that not only pertained to the day, but also to the artifact. In the chapter Miles stated that he was sending a piece of the object back to Rudolph due to it being dull. With further research I was able to find out that during the 1930s O.C. Rudolph was not only an inventor, but creating and manufacturing polarimeters here in the United States. By researching the polarimeters and comparing it to the artifact I have found that my artifact was constructed similar to O.C. Rudolph’s polarimeter and the manufactures mark is located on top of the artifacts case.

CCHP: What’s next?

SY: The next step I took was bringing all of my research to my peers, Dr. Kearns, and Fran who were as excited about the find as I was. My peers and I were able to include all of the research that was obtained into our exhibit. Since then Dr. Kearns and Emily have informed me that the contentDM will be changed from reading “Unidentified” to reading “Polarimeter”.

CCHP: Any other thoughts?

SY: Although researching the object was an assignment for our project, it was extremely exiting to find and I encourage everyone that is able to include research from an archives to do so. Being able to do research at an archives not only gives you an opportunity to have primary sources of information, but it also gives you an opportunity to observe the object yourself.

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-contributed by Veronica Bagley, undergraduate student in the Museums & Archives Certificate Program.

What do a polygraph kit, ouija board, and Stanford Prison experiment skateboard have in common? They’re all objects in the Drs. Nicholas & Dorothy Cummings Center for the History of Psychology artifact collection, and they’re all going to be on a temporary exhibit in Glimpses into the History of Psychology through Artifacts. These are just a few objects students in the Foundations of Museums and Archives class have been researching for their final project, putting together an exhibit.

Some of the objects that will be on exhibit.

Students in the Foundations of Museums and Archives Class have been spending this semester putting together an exhibit, from start to finish, to be displayed at the CCHP. In the first half of the class during Fall semester, each student selected a few items from the collection that they found interesting. Now during Spring semester, those objects are becoming one exhibit. Students picked objects covering multiple fields of psychology, including paranormal, perception, animal training, education, and popular psychology.

Though the objects in the exhibit are all very different, students have studied how they relate to psychology or how they may have been used by psychologists. Visitors to the exhibit will be able to learn about the history of psychology through a variety of fields. One of the objects I spent a large amount of time researching was a homemade “Spirit Writing Board,” for which we had little information on. I was able to use resources in the archives to research the practice of spirit writing, and through my research I learned about the field of “Parapsychology.” I even contacted an expert from The Parapsychological Association who sent me even more resources about this board and how it may have been used. Before I took this class, I did not even know this field of psychology existed! Visitors to the exhibit will be able to see the Spirit Writing Board on display, along with other objects from the field of Parapsychology. From visiting this exhibit, we hope visitors will be able to learn how broad the field of psychology is, and how it is applied in other fields.

Though the research process could be frustrating at times, especially with objects without much information attached to them, the class had some great finds! An object previously labeled as “Unidentified” became identified as a Polarimeter. Stacy Young, another student in the class, selected this object and had the task of researching it for the exhibit. From the tag on the object, she was able to start some research in the archives and found a journal that described the unidentified object. It was an incredible discovery and required some serious detective work! The Polarimeter will also be on display in the exhibit.

The label Stacy used to start her research on the Unidentified Object.

After spending the first eleven weeks of the semester researching objects and making decisions about exhibit design, the last several weeks will be spent installing the exhibit. The exhibit is also sponsored by the EX[L] Center: https://www.uakron.edu/exl/. We are very grateful for their donation to help us put together this exhibit!

The opening reception for Glimpses into the History of Psychology through Artifacts will be May 6, 2017 from 4-6 pm, and regular open hours will be Tuesdays May 9 through August 15, 2017, from 1-3pm. Admission is free. It will be located at:

Gallery C, First Floor Drs. Nicholas & Dorothy Cummings Center for the History of Psychology

The University of Akron Roadway Building

73 S. College Street

Akron, OH 44325-4302

The final exhibit project for this class fulfills the requirements for students in 1900:302 Foundations in Museums and Archives II at the Institute for Human Science and Culture. The class is a requirement for a Museums and Archives Certificate through the University of Akron. If you are interested in the program, contact Dr. Jodi Kearns at jkearns@uakron.edu for information.

Objects for the exhibit, laid out for research.

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